Death Race


Death Race is an action film written and directed by Paul W. S. Anderson. The film is a remake of the 1975 film Death Race 2000, based on Ib Melchior's short story "The Racer", and stars Jason Statham in the lead role. The remake had been in development since 2002, though production was delayed by disapproval of early screenplays then placed in turnaround following a dispute between Paramount Pictures and the producer duo Tom Cruise and Paula Wagner. Death Race was acquired by Universal Studios, and Anderson re-joined the project to write and direct. Filming began in Montreal in August 2007, and the completed project was released on August 22, 2008.


In a future United States of America, prison inmates compete against each other in a driving arena. The film begins by showing a race near its end between two cars, a Dodge Ram and a Ford Mustang, both loaded with various guns and armor. The driver of the Mustang is a famous masked driver known as Frankenstein, who is accompanied by a female navigator. The driver of the Dodge Ram, Machine Gun Joe (Tyrese Gibson) fires various weapons at Frankenstein's car, damaging it horribly, and Frankenstein's defense weapons fail for unexplained reasons. As a last resort, Frankenstein drops his car's rear armor plate (nicknamed "The Tombstone") and succeeds in brutally damaging the Dodge Ram. However, Frankenstein's fuel tank is exposed as a result, and Joe capitalizes, firing off a missile to the exposed fuel tank. Frankenstein tells his navigator to eject herself, but he continues on as the fuel tank explodes, propelling his flaming car upside down across the finish line, presumably leaving Frankenstein critically wounded, or dead.
At this point, title cards explain that within four years from 2008 the economy of the United States has fallen into disaster, and private corporations run most prisons across the nation for profit. The movie focuses on the Terminal Island Prison, where arena cage fights between prisoners fighting to the death are broadcast to the world via internet. After crowds became bored with the fighting, the prison adopted a new event for the entire world to see: Death Race, a race where cars armed with various weapons and armour would try to win, but survive each other while doing it. Jensen Ames (Jason Statham) works at a steel mill that closes due to bankruptcy, but things get worse when he returns home to tell his wife. She's fine with it, but as Ames goes to check on their baby, his wife comes face to face with an intruder. Ames returns to see his wife on the floor dead and is knocked out by the intruder, awakening later with a bloody knife in his hand and his wife's body next to him, with the police standing above him, framing him for her murder. Ames is sent to prison where he is coerced by the prison warden, Hennessey (Joan Allen) to become the new driver of the Ford Mustang. She tells Ames that she knows of his baby that was left in foster care, and that prisoners are freed upon winning five Death Races, but since he will take on the mask of the legendary Frankenstein (who had 4 wins at the time of his death), he will only need to win one race. The races are broken apart into three stages: Stage 1 and 2 are races in which the driver must survive, and Stage 3 you must win the race in order for it to add to the count towards freedom.
During the Stage 1 Race, Ames is introduced to his navigator, Case (Natalie Martinez), who happens to be Frankenstein's previous navigator, and later in the race recognizes another driver, Pachenko, using the same exact hand gesture the intruder had made upon completing the framing, thus giving Ames a flashback and the realization to a very promising suspect to his wifes murder. Three drivers are killed during Stage 1 including Grimm and Travis Colt. Ames finishes last after taking a hard hit from Machine Gun Joe. Ames learns he is part of a plot to keep the legend of Frankenstein alive, solely for the personal profit of Hennessey. He confronts Hennessey about the driver, but instead she shows him pictures of his baby living with foster parents, asking him if he thinks he could provide for his baby better than the foster parents. Angered, he takes one of the pictures and leaves. The night before Stage 2 he makes a trip to the garage of Pachenko's team to confront him. He is beaten down by a few members of the team but is helped by a member of his garage allowing Ames to retaliate and nearly kill Pachenko. His revenge is thwarted by the prison guards telling them to save it for the race. Ames goes into the Stage 2 race and immediately questions Case on her intentions. She tells him she was ordered to sabotage Frankenstein's defense weapons so he would not win his freedom, and thereby earn her own. Ames realizes he is not meant to survive the Death Race at all, but is meant to die so another "Frankenstein" can be brought into the prison to keep viewers paying to see the races. He seeks revenge during Stage 2 by crippling and rolling Pachenko's car allowing him to turn around drive back and to get revenge up close and personal by snapping Pachenko's neck as he crawls away from the car wreck. Three drivers remain until 14K is killed by 'The Dreadnought', Hennessy's secret weapon (an 18 wheeler filled with massive machine guns) that had been in production for months. Ames and Machine Gun Joe are able to destroy The Dreadnought then finish Stage 2. Then Ames sets his sights on Hennessey. Realizing that Ames knows what's going on, Hennessey has Ames' car armed with an explosive before the Stage 3 Race as insurance to make sure he does not cross the finish line alive. However, Ames devises his own scheme from an image shown by one of his crew members of a destroyed billboard in an earlier race.
The Stage 3 Race begins with only two drivers remaining: "Frankenstein" and Machine Gun Joe. Before the race, Ames adds an extra half-gallon fuel tank to his car, and tells Joe that he and Frankenstein should talk. The race begins, and Ames soon takes the lead. However, the odds are against Ames as Hennessey rigs the track to benefit Joe. Throughout the entire lap, Joe keeps hot on Ames' tail, and as they near the beginning of the second lap, and the Tombstone starts to give out, Ames' orders Case to release it, in an effort to make Joe back off. Unlike last time though, Joe expects it, and easily avoids the oncoming Tombstone. Now that Ames' fuel tank is exposed, Joe preps newly added missiles and fires in Ames' direction. However, they seem to miss the car and instead hit the billboard at the first turn of the track. It is shown that the image Ames saw was a pathway to the bridge leading off the island to the mainland behind the destroyed billboard.
It turns out that Ames and Joe had plotted their escape from the beginning of Stage 3, as they drive out onto the bridge to escape the island. However, Hennessey mobilizes helicopters and police cruisers to apprehend them. As the cruisers close in on the two cars, Ames releases his exposed fuel tank, causing it to explode and stop the pursuing cars. Turning to her back up plan, Hennessey then orders that the explosive under Ames' car be set off, but nothing happens because Coach (Ames' crew member) had found, removed, and deactivated the bomb prior to the start of the race. Escaping past the bridge, Joe and Ames separate, and Hennessey orders the helicopters to focus on Ames, but he switches seats with Case when she tells him that Hennessey had already signed her release papers for her work, and that she owed one to the old Frankenstein. He jumps from the car leading the helicopters to believe he is still inside. Joe meets up with Ames and they board a train to escape, lamenting on Hennessey's continued existence. Soon, Ames' Mustang is stopped and "Frankenstein" is apprehended.
Later, it is shown that Hennessey believes she still won after all, as a guard notifies her about presents sent to her for the record number of viewers subscribing to the Death Race. However, the explosive that was put on the Frankenstein car is found inside, and blows up as Coach is seen setting off the detonator and giving the quote "I love this game". Six months later, Ames and Joe are shown working in a junkyard in Mexico, when Case unexpectedly arrives. The two men and her are happy to see each other, and Ames shows her his baby. The movie closes with Ames explaining that even though he knows he's far from being the best parent in the world, no one could love his baby more than he could.



pointed and uncomplicated as its title, Death Race is a pure sadistic smash-em-up that provides some of the most explosive, gratuitous fun at the box office this summer. Based on the 1975 original, Death Race 2000, Paul W. S. Anderson's take on the material isn't a remake, but a solid update to the dystopian tale of vehicular carnage and the public's devolution into violent voyeurism. In Death Race, private companies now run the prisons and make money off gladiator-like events, pitting prisoners against each other to battle until death, all the while streaming the mayhem to the masses. While obviously not real, we as viewers could be considered part of the blood-thirsty audience cheering for destruction. And cheer we do.
Movie-driver Jason Statham headlines the production as ex-con Jensen Ames, a humble husband and father to an infant daughter. Ames' life erupts in destruction when he is framed for murdering his wife, sending him to the dead-end Terminal Island prison. In addition to being a mile out in the water, the prison's claim to fame is its live-broadcast Death Race, which is a three-round competition wherein inmates drive souped-up cars and pretty much just try to kill each other. The winner of five races gets his freedom. Taking a cue directly from the 1975 original, the lead driver and fan favorite is Frankenstein, purportedly a driver so badly mangled from accidents prior that he wears a Jason-esque mask.

The grey and grit that makes up the Terminal Island environment is a solid accomplishment by writer-director Anderson. Despite a healthy, albeit slightly rote, background in action, violence and sci-fi having helmed the Resident Evil series and the original Aliens vs Predator, Anderson brings a freshness and surprisingly seasoned sensibility to big action that will certainly catch you off guard. The choreography of the dizzying chase sequences and myriad explosions is reminiscent of the work of the king of blockbuster blow-em-ups, Michael Bay. Thankfully, Anderson's taste leans more toward the dark and sinister - a style that revs and roars in Death Race.
Shortly after Statham's character settles into the prison (following the obligatory initiation fights and arguments over territory), he's approached by the warden - a porcelain cougar named Hennessey (Joan Allen). Hennessey, knowing Ames' background as a race car driver, wants him to participate in the Death Race. While Allen partly channels her stoic role as CIA leader Pamela Landy from the Bourne series, she ups the bitch quotient to an impressive degree. Hennessey is one of the most fun characters of Death Race, largely because she is as twisted as all of the wrenched metal that litters Terminal Island. Supporting characters that also make the film a bit more than just sound and fury include seasoned actor Ian McShane as Statham's pit boss and Tyrese Gibson as Frankenstein's number one opponent, Machine Gun Joe.

To be sure, the film runs out of gas when trying to reach any level of drama or story, and it positively dies when wrapping things up. But who cares? An armored 800+ horsepower Mustang with double gatling guns mounted on the hood far overshadows any need for sympathy we might feel for the characters. And when one of those characters goes out in a bloody blaze, the story is the last thing we're thinking about. For once, I totally agree with a director's boasting of a film. Anderson recently said, "I firmly believe [Death Race] is the best, most spectacular car action I've ever seen in a film." I think you might agree. A straight crimson shot into bedlam, Death Race is a film for which you're either going to call "shotgun!" or let pass you by.

Yahoo said:Terminal Island, New York: 2020. Overcrowding in the U.S. penal system has reached a breaking point. Prisons have been turned over to a monolithic Weyland Corporation, which sees jails full of thugs as an opportunity for televised sport. Adrenalized inmates, a global audience hungry for violence and a spectacular, enclosed arena come together to form the 'Death Race', the world's biggest, most brutal sporting event. Five-time NASCAR champion Jensen Ames is a man who has become an expert at survival. After eight years of hard time, he has only six weeks before reuniting with his family. But when Weyland demands a driver to headline the big game, Ames is forced to submit. Donning the costume of mythical rider Frankenstein, the racer becomes an instant crowd favorite, an unequaled sporting superstar. His face hidden by a metallic black mask, one convict will be put through a brutal three day challenge, with the trophy being the ultimate prize: freedom. The only catch is that he must survive a gauntlet of the most vicious criminals in this post-industrial wasteland to claim it. Driving a monster car outfitted with machine guns, flamethrowers and grenade launchers, Ames must now kill or be killed to win the most treacherous spectator sport on Earth: 'Death Race'.

Hamlet 2

Hamlet 2 is a comedy film directed by Andy Fleming, written by Fleming and Pam Brady, and starring Steve Coogan, Catherine Keener, Amy Poehler, and David Arquette. It was produced by Eric Eisner, Leonid Rozhetskin, and Aaron Ryder. Hamlet 2 was filmed primarily at a high school in New Mexico from September 2007 to October 2007. The film premiered at the 2008 Sundance Film Festival and will be distributed by Focus Features. The film had a limited release on August 22, 2008, followed by a wide release on August 29.
After an opening recapping the highlights of Dana Marschz's unsuccessful acting career (undignified television commercials and a bit acting part), the film joins him "where dreams go to die": Tucson, Arizona. He is an even more unsuccessful suburban high school drama teacher, with only two (enthusiastic) students and a history of producing school plays that are merely stage adaptations of Hollywood films. When the new term begins, a bunch of inner city kids are forced to transfer schools and take his class, as it is the only remaining arts elective available. He gets off to a rocky start with the new students, and is floored when the school notifies him that the drama program – a worthless waste of money in the administration's judgment – is to be shut down at the end of the term. Unintentionally inspired by the school paper's ruthless pre-adolescent drama critic, Dana undertakes to write and produce an original play: a sequel to Hamlet featuring a time-traveling title character, and a song-and-dance number featuring the Son of God, called "Rock Me Sexy Jesus". He begins to win the cooperation of his students, but is further traumatized when his wife leaves him for the uninteresting – but fertile – boarder they had taken into their home to supplement their modest income. The students rally to finish the play, especially after the school shuts down the production over its controversial content, staging it in an abandoned warehouse and rave spot, amid a media frenzy.

Written and directed by Andrew Flemming (Nancy Drew of all things) along with South Park-writer Pam Bady, Hamlet 2 surrounds Dana's struggle to keep his drama program alive in the face of school cut-backs. The former commercial actor never helped secure much relevance for the program, being that the department was made up of two humdrum drama students who shelved anything considered classic and enacted plays based on mainstream blockbusters. (Coogan joked recently that following the department's "Hamlet 2" production, they probably would have tackled FX's "The Shield.") The department grows exponentially when another school program is canceled and a group of what most would consider "inner-city youths" joins the awkward threesome. From there, we witness a sequence of scenes that is in many ways Coogan's own take on Dangerous Minds.
Through Coogan's quirky style, his character breaks down the walls of culture and drama-stigma, bonding with the new students to come together and hold a final unlikely production in the hopes of saving the department. "Hamlet 2" draws the ire of the high school higher-ups due to its "modern" approach to the subject matter, and the play is subsequently canceled. Not unlike organizing a rave, the resourceful students find a warehouse and equipment to host the production instead. Through obligatory missteps and setbacks, the play goes on, even with a good part of Tucson in attendance.



Tropic Thunder

Tropic Thunder is a 2008 action comedy film produced and directed by Ben Stiller and written by Stiller, Justin Theroux, and Etan Cohen. The film stars Stiller, Jack Black and Robert Downe Jr. as a group of prima donna actors making a Vietnam War film when their fed-up writer and director decide to abandon them in the middle of the jungle, forcing them to fight their way out.
Stiller initially had the idea for the film while playing a small part in Empire of the Sun, and later brought on Theroux and Cohen to help him complete the script. After the film was greenlit in 2006, filming took place in 2007 on the Hawaiian island of Kauai over 13 weeks, and was deemed the largest film production in the island's history. The film had a large marketing promotion, including showing numerous screenings, selling the fictional energy drink advertised in the film, and posting faux websites for the characters, films, and products shown in Tropic Thunder.
The film met controversy among the disability advocacy community prior to its release on August 13, 2008. It received generally positive reviews with 84% and 71% approval ratings according the review aggregator websites Rotten Tomatoes and Metacritic, respectively. It earned $26 million in its opening weekend and retained the number one position for its first three consecutive weekends of release.

During the filming of Vietnam veteran "Four Leaf" Tayback's (Nick Nolte) memoir, the stars—fading action star Tugg Speedman (Ben Stiller), five-time Academy Award-winner Kirk Lazarus (Robert Downey, J.), rap star Alpa Chino (Brandon T. Jackson), low-brow drug-addled comedian Jeff Portnoy (Jack Black), and character actor Kevin Sandusky (Jay Baruchel)—behave unreasonably, resulting in a $4 million explosion going off with no cameras shooting. With filming a month behind schedule only five days into shooting, the media dubs the production "the most expensive war movie never made". Rookie director Damien Cockburn (Steve Coogan) is ordered by studio executive Les Grossman (Tom Cruise) to get the production back on track or risk having it shut down. With inspiration from Tayback, Cockburn drops the spoiled actors into the middle of the jungle, where he installs hidden cameras and special effect explosions rigged so he can film "guerrilla-style". The actors have only a map and a scene listing to guide them to the helicopter waiting at the end of the jungle. Shortly afterward, the director is blown up by a land mine left by the French, but thanks to his preceding diatribe, only Lazarus realizes his death was real.
Unbeknownst to the actors, they were dropped in the middle of the Golden Triangle, the home of the heroin-producing Flaming Dragon gang. The Dragons believe the actors to be DEA agents. When Tayback and pyrotechnics man Cody (Danny R. McBride) attempt to locate the now-deceased director, they are captured by the drug producers. In captivity, Tayback reveals he has never left the U.S. before, and originally wrote the book as a tribute. The actors trek through the hostile jungle, with Speedman the only one completely interested in finishing the movie.
After doing a "scene", Portnoy's stash of heroin is swept up by a passing bat, causing him to go into withdrawal. After Lazarus and Sandusky discover that the inept Speedman is leading them the wrong way, the rest split off from him, with Speedman continuing to follow the film's script while the others attempt to escape the jungle. His sanity slowly slipping after he accidentally kills a Giant Panda, Speedman soon is captured and taken to the Flaming Dragon's heroin factory, which he initially believes to be a POW camp from the script. The gang soon realizes that he is the star of the box office bomb Simple Jack (which happens to be the only movie they have on VHS) and they force him to reenact the film several times a day. The gang contacts Speedman's agent, Rick (Matthew McConaughey), and Grossman and asks for a ransom. Grossman instead curses out the gang, later telling Rick that they can benefit more by collecting the insurance claim on Speedman's death, offering the torn agent a share of the profits along with his own personal jet.
The other actors stumble upon the Flaming Dragon's heroin factory. After seeing Speedman being tortured, they plan an ambush based on the film's plot line. Kirk impersonates a farmer who has caught Jeff in his farm, distracting the armed guards as Chino and Sandusky sneak into the building the captives are held in. After the gang notices inconsistencies in Lazarus' story, the actors open fire on the gang, temporarily subduing them despite being armed with only special effects blanks. Portnoy kidnaps the gang's child leader from the fray in order to be led to the drugs. After barely defeating the prepubescent crime lord in combat, he finds an enormous mound of heroin; however, reflecting upon his unsuccessful low-brow movie career, he rejects the heroin and uses it instead to knock out two guards.
Portnoy, Chino, and Lazarus find Speedman brainwashed: after performing to an approving crowd several times a day, he now believes he is home. Before they can snap him out of it, Lazarus breaks down, as he has remained in character up to this point. He reveals that he is conflicted with his own identity, and Sandusky and Chino help him realize his identity as an Australian man and not the character Sgt. Osiris. With Speedman still dazed, they drag him out and attempt to escape in Cody and Tayback's recaptured helicopter. The gang quickly rejoins, crossing a bridge which is rigged to detonate by Cody. Speedman asks to remain behind with his "family", but he quickly returns with the murderous gang in hot pursuit. Tayback detonates the bridge just in time for Speedman to reach safety, and the actors and crew escape from the jungle (thanks to a timely arrival of Rick, who saves them from an RPG with a TiVo box). A documentary of the botched production is made from the hidden camera footage, and results in a multiple Academy Award-winning blockbuster film. The film breaks Speedman's streak of flops and he wins the award for Best Actor, presented to him by the previous year's Oscar winner, Kirk Lazarus. The film also jump starts the rest of the cast's careers and personal lives, as Portnoy, Sandusky, and Chino were seen with Alicia Silverstone, Jennifer Love Hewitt, and Lance Bass during the ceremony. Rick, who is proud that he made his choice of saving his friend, flies home with his son in his new private jet. Les Grossman, thrilled by the film's success, dances alone in his office.

Traitor

Traitor is a 2008 spy thriller film, based on an idea by Steve Martin (who is also an executive producer), and written and directed by Jeffrey Nachmanoff. The film stars Don Cheadle as a US Army Special Forces Engineer Sergeant, and Guy Pearce as an FBI agent.
The project was in development since 2002, and was originally set to be produced by Walt Disney Pictures, but was dropped due to management change. Principal photography started in early September, 2007, in Toronto and Morocco.
Don Cheadle's character, Samir Horn, is a man conflicted. He's Middle-Eastern yet also a US citizen; he's a concerted Muslim but also a pragmatist; he helps to further terrorist goals but works for the CIA. So when Samir turns to his girlfriend at one point in Jeffrey Nachmanoff's directorial debut, Traitor, and says "the truth is complicated," he's definitely not kidding. This complexity, along with a rounded cast, a globe-trotting story and a peppering of smart action makes Traitor an entertaining espionage thriller that is not only uniquely smart, but timely. But while the film doesn't reach Bourne or Syriana heights, it's certainly a thought-provoking and cautionary tale about the many shades of grey that exist in the world.
Samir is a former US Special Operations officer that is loosely under the employ of the CIA by way of of the morally questionable Carter (Jeff Daniels). Samir is working in Yemen when he's thrown in jail following a raid of a terrorist group's compound. This is the first of only a few instances where the film's two plotlines intersect - FBI agent Roy Clayton (Guy Pearce) along with his partner Max Archer (Neal McDonough) show up to question Samir. Uncooperative, Samir keeps quiet, and stays in the Yemeni jail until he escapes with the help of the terrorist cell with which he worked, led by Omar (Saïd Taghmaoui of Vantage Point). The group resumes their nefarious plans in France when Clayton catches Samir's scent again. I don't want to give too much away, but it's safe to say that the veritable cat-and-mouse game continues throughout the film, crossing more continents with Clayton just a hair's-breadth behind.
If you can believe it, the idea for Traitor actually came from Steve Martin back in 2003, while he was doing Bringing Down the House (of all unrelated things). Nachmanoff, who also wrote the script for the apocalyptic adventure The Day After Tomorrow furthered the concept, eventually enlisting the help of Cheadle when the Academy Award-winning actor came on board as both lead and producer.
One of the most engrossing aspects of Traitor is that throughout much of the film, you never truly know where Samir's loyalties lie. Cheadle effectively rides the fence to an impressive degree, having his character actually commit terrorist acts, yet doing so with remorse following short behind. That inner conflict, however, doesn't stop him from furthering the next attack. At the same time, Samir checks in with his pseudo-CIA-handler, manifesting an air of underlying anti-terrorist intentions. Samir's character and his true loyalties will keep you guessing long after the film is over - a real credit to Cheadle's range as an actor.
Writer and director, Nachmanoff, achieves a thrilling level of suspense and complexity in Traitor, as well. While Samir wages his battles both internally and externally, Nachmanoff gives us a composite look at U.S law enforcement by way of Clayton and Archer — the latter being your typical beat-it-out-him hard-ass, with Clayton as a progressive and thinking lawman. Juxtaposed to these two is crafty CIA agent Carter, who portrays yet another face to the organizations protecting our country. On other side of the fence is the tepid solider, Omar, and the unabashed decision-maker, Fareed (Aly Khan of A Mighty Heart). Truly, Nachmanoff's Traitor contains more angles than a De Beers diamond. Well, a Zales diamond is probably more accurate. The film's form and cut is skilled, but the overall quality isn't totally flawless, especially in its finish. Regardless, Traitor is a thought-provoking film with a great cast that still shines.

Yahoo Said:When straight arrow FBI agent Roy Clayton heads up the investigation into a dangerous international conspiracy, all clues seem to lead back to former U.S. Special Operations officer, Samir Horn. A mysterious figure with a web of connections to terrorist organizations, Horn has a knack for emerging on the scene just as a major operation goes down. The inter-agency task force looking into the case meets with Carter, a veteran CIA contractor who seemingly has his own agenda and Max Archer, a fellow FBI agent. The task force links Horn to a prison break in Yemen, a bombing in Nice and a raid in London, but a tangle of contradictory evidence emerges, forcing Clayton to question whether his quarry is a disaffected former military operative -- or something far more complicated. Obsessed with discovering the truth, Clayton tracks Horn across the globe as the elusive ex-soldier burrows deeper and deeper into a world of shadows and intrigue.

Transporter 3

Transporter 3 is a 2008 action film, and is the third installment in the Transporter series (and the first not distributed by 20th Century Fox in the US). Both Jason Statham and Francois Berleand will reprise their roles, as Frank Martin and Tarconi, respectively. Robert Knepper will be added to the cast list. This will be the first film in the series to be directed by Olivier Megaton. This film will continue the story of Frank Martin, a professional "transporter" who has relocated to Paris to continue his low-key business of delivering packages without questions.
After breaking the news last March that The Transporter 3 would officially be coming sometime in the next few years, confirmation has arrived today via Variety that the series' star Jason Statham will be back again for the third film. Statham will be reprising his role as the indestructible delivery man Frank Martin and is gearing up to shoot for 16 weeks in Russia and France. The only bad news is that the director of the first two, Louis Leterrier, won't be back, and is instead being replaced by another more inexperienced Frenchman
French filmmaker Louis Leterrier, who directed the first two films, is instead off putting the finishing touches on The Incredible Hulk with Edward Norton. His replacement is Olivier Megaton, another French director whose previous directing credits include Exit and The Red Siren in addition to working as second unit director on last year's Hitman. The news doesn't include information on whether writers Luc Besson and Robert Mark Kamen will be back for this one as well. However, Besson is attached as a producer along with Steve Chasman. Actor Francois Berleand will also reprise his role as Tarconi while Robert Knepper ("Prison Break") will join the cast.
I've got to make a confession - I've never seen either of the first two Transporter movies. I love Statham and always enjoy good action, but for some odd reason I have never had the slightest urge to watch them. I don't know what it is and I still can't get myself to watch them. As is certainly apparent with the reaction in the comments (over 50) to our original Transporter 3 news, there are numerous fans of the series that I'm sure could easily give me reasons why it's a good set of films. Maybe when this third movie comes around I'll go for a trilogy showing and experience all of it at once for the first time.
Statham previously hinted that Luc Besson was writing a script, but no other possibly story details have been revealed. We can probably expect The Transporter 3 sometime in early 2009.




Babylon A.D.

Babylon A.D. is a 2008 science fiction film based on the novel Babylon Babies by Maurice Georges Dantec. The film was directed by Mathieu Kassovitz and stars Vin Diesel. It was released on August 29, 2008 in the United States.
Mathieu Kassovitz developed an English-language film adaptation of Maurice Georges Dantec's French novel Babylon Babies for five years; in June 2005, this project got financed from StudioCanal and Twentieth Century Fox.The adapted screenplay was written by Kassovitz and screenwriter Éric Besnard. Production was initially slated to begin in February 2006 in Canada and Eastern Europe. French actor Vincent Cassel was initially sought to be cast in the lead role. In February 2006, actor Vin Diesel entered negotiations to star in the film, titled Babylon A.D., dropping out of the lead role of Hitman in the process. Production of the futuristic thriller about genetic manipulation was slated to begin in June 2006. By February 2007, filming was slated to wrap in April to release Babylon A.D. in time for the coming Thanksgiving. In February, filming took place at Barrandov Studios. In March 2007, the filming crew, having shot in the Czech Republic, took a two-week hiatus to deal with uncooperative weather, such as the lack of snow, and problems with set construction. Crew members scouted Iceland for locations with snow to shoot six to eight days of footage, which was supposed to be done in February. Filming was also done with the leads Diesel, Michelle Yeoh, and Mélanie Thierry in Ostrava in March. The French visual effects company BUF Compagnie was contracted to develop the film's effects.In April 2007, Babylon A.D. was reported to be over-budget and three weeks behind schedule. A lack of snow meant a skiing sequence to be shot in Eastern Europe had to be moved to Sweden. Later in the month, actor Lambert Wilson was cast into the film. Filming was completed in May 2007.
American artist Khem Caigan designed the sigil that appears as a tattoo on the right side of Toorop's neck - an emblem which originally appeared in the Schlangekraft Necronomicon in 1977.
The music of Babylon A.D. is scored by composers Hans Zimmer and Atli Örvarsson. The musical alliance Achozen, represented by Shavo Odadjian and RZA performed the score for the film. Zimmer described the intended style: "Musically, our objective was to merge the sounds and energies of hip hop with classical music, seamlessly melting them into an unusual soundscape."
Yahoo said:
It is the not-too-distant future. Thousands of satellites scan, observe and monitor our every move. Much of the planet is a war zone; the rest, a collection of wretched way stations, teeming megalopolises, and vast wastelands punctuated by areas left radioactive from nuclear meltdowns. It is a world made for hardened warriors, one of whom, a mercenary known only as Toorop, lives by a simple survivor’s code: kill or be killed. His latest assignment has him smuggling a young woman named Aurora from a convent in Kazakhstan to New York City. Toorop, his new young charge Aurora and Aurora’s guardian Sister Rebeka embark on a 6,000 mile journey that takes them from Eastern Europe, through a refugee camp in “New Russia,” across the Bering Straight in a pilfered submarine, then through the frozen tundra of Alaska and Canada, and finally to New York. Facing obstacles at every turn, Toorop, the killer for hire, is tested like never before, in ways he could never have imagined--as he comes to understand that he is the custodian of the only hope for the future of mankind. For the first time in his life, Toorop has to make a choice: to make a difference or walk away and save himself. Too bad it came on the day he died.